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Across The Dark.

 
 
 

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"Her soul burned with the twin desires of longing and jealousy.I cared nothing for caste or rank but only for a natural fineness,an instinct for what is elegant, and a suppleness of wit."

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Lina Osterman S/S 10  

2009-10-20 16:13:59|  分类: "runway" |  标签: |举报 |字号 订阅

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We take another look at the talented Swede's show at the Royal Festival Hall last month.

 

Lina Ouml;sterman S/S 10 - -Irandrea·Sue-   -

Lina Ouml;sterman S/S 10 - -Irandrea·Sue-   -  Lina Ouml;sterman S/S 10 - -Irandrea·Sue-   -

Lina Ouml;sterman S/S 10 - -Irandrea·Sue-   -  Lina Ouml;sterman S/S 10 - -Irandrea·Sue-   -

 

Lina Österman is a shy person. This humble quality of hers stand in positive contrast to many of her self-exploiting peers, who see no harm in their never-ending promotion. Österman, a London-living Swede since the age of 20, believes in letting the clothes do her talking - and no one who went to her Blow sponsored S/S 10 show at the Royal Festival Hall doubts her way of expressing herself; even a few of the models had wigs that resembled Österman’s long blonde hair and sharp fringe.

And that was just the hair; the clothes were based around Österman’s personal style, so black shades were predominant, the length of the clothes was of importance and layers were, as always, crucial. Österman also designs Pudel, a line that is more focused on jeans, but the denim connection was strong in this more high-end spring summer offering as well. But the change of season doesn't matter so much for a designer like Österman. Monochrome colours rule, but white just featured in one outfit, and the only contrast colour was a gorgeous matt blue, which came out on two models.

Tailoring was enhanced in Österman’s first collection since graduating from Central Saint Martins in 2008, which was styled by Dazed & Confused’s Robbie Spencer. It made for a smarter version of her usually gothic and industrial catwalk wardrobe. Also silver chain jewellery and sleek boots were added to this. To the tunes of a one-man version of Rodeo Massacre, city shorts on girls and extra long mesh knitwear on the boys impressed the crowd. In the midst of this relatively grown up collection, Österman made sure her initial reference points still came across; studs featured heavily on both jackets and trousers.

 

 

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